37
6.0

竖锯惊魂1:夜魔归来

导演:
赵国燕王,李四
主演:
赵国燕王
别名:
未知
6.0
37人评分
汉语普通话
语言
未知
上映时间
70
片长
简介:

出品人:陈晓云、赵国燕王联合出品人:金少丽总制片人:陈晓云制片人:赵国燕王摄影:张呈勉、魏巍剪辑:颜学思杰、周锐、李晓霞策划:赵国燕王宣发总监:金少丽宣传:赵飞、赵三英统筹:赵国燕王海报:夏天、吴娇灯光:王莹摄影助理:王虎造型设计:周文羽道具:赵国燕王服装设计:周文羽演员副导演:赵国燕王剧情简介:美女主播突遇恐怖电话,而电话那头自称是竖锯……

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简介:Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb
6921
1968
狂野街头
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