蛛网男孩

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美丽的模特、制片人和电影摄制组曾参观过这座古老的城堡并进行写真拍摄。一名戴着红色面具的男子将她们一个个绑架，并用各种刑具对她们施以酷刑。用虎钳夹住头骨。伸展四肢。灼热的折磨。胸刃刺伤。他们能逃出刑讯室吗？

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杰克·斯特拉坎是躲藏在挪威的一位可疑的前体育明星，他被一个神秘的女人跟踪，而这个女人与他被谋杀的妻子维罗妮卡长得很像，他无法辨认她的身份。他确信她怀有恶意，并决心揭开她的面具，于是他强迫自己重新经历那些悲惨的事件，最终维罗妮卡被暴力同伙卡里姆残忍地杀害，并面对最初把他逼入地下的恶魔。

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一名少女被一个奇怪的剧院邪教组织绑架，意图召唤一名古代女巫。

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　　午夜的宿舍楼内，传来鬼魅的唱戏声，那声音竟然来自已经死去的剧团女主演！全楼居民极度恐慌。年轻人陆离和哥们儿一起调查女鬼真相，却越陷越深，先是剧团化妆师被女鬼附身，离奇丧命，紧接着哥们儿也惊吓过度，疯癫死亡，外地来的老母亲再度被女鬼纠缠，陆离本人也一次次被鬼魅侵袭！一连串惊心动魄的奇情怪事之后，当夜半戏声再次飘起，最令人胆寒的时刻终于来临……                                                                    　　

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一个沉迷于鲨鱼的连环杀手绑架了一个无忧无虑的冲浪者，绑在自己的船里，要举行一个仪式把她喂鲨鱼。她的新男友发现恋人失踪，前来寻找，却也被这个疯癫的杀手所擒……

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《第三波》讲述了欧洲被一种僵尸病毒肆虐了六年之后，终于找到了可以让僵尸变回正常人的“解药”。但是康复的这些人并不被社会所接受，家人亲属排斥他们，政府也严格管控他们。在愤怒、内疚、恐惧的百感交集下，一些“康复了的僵尸”开始进行恐怖活动，社会又一次陷入了动荡。药治得了病，却治不了人心。

简介：In London, the pregnant wife of an industrialist falls down the stairs, loses her sight and has no recollection of the events but suspects that a mentally traumatic experience prior to the fall caused her accident.　　Psyche 59 is a 1964 British drama film directed by Alexander Singer and written by Julian Halevy. It is based on the 1963 novel Psyche '59 by Françoise des Ligneris. The film stars Patricia Neal, Curd Jürgens, Samantha Eggar, Ian Bannen, Beatrix Lehmann and Elspeth March. The film was released on 29 April 1964, by Columbia Pictures.

简介：本片由史蒂文·元、丹尼尔·卡卢亚和柯柯·帕尔莫主演，他们饰演位于加州内陆一座荒凉小镇的居民，目击了一场令人不安及不寒而栗的诡异发现。

简介：Giorgio is a greedy adulterer who makes a deal with a serial killer (Michel Antoine) to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa.

简介：Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb

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简介：

安全员克里斯汀正处于摸不清自己的阶段，而他也与新搭档接下了追捕俄罗斯特工的任务。私生活与工作皆变得棘手的同时，克里斯汀必须想办法理清疑惑，确认自己的真实身份。